The Architect's Kettle: Geometry, Heat, and the Redesign of an Icon
Update on Jan. 9, 2026, 7:33 a.m.
In the pantheon of industrial design, few objects cast a shadow as long as the Moka Pot. The original octagonal aluminum brewer, created by Alfonso Bialetti in 1933, is more than a coffee maker; it is a symbol of Italian identity, a masterpiece of Art Deco, and a fixture in millions of kitchens worldwide. To redesign such an icon is an act of hubris—unless you are Sir David Chipperfield.
When Alessi, the Italian “Factory of Design,” commissioned the renowned British architect to reimagine the Moka, they were not asking for a stylistic update. They were asking for an architectural intervention. Chipperfield, known for his rational, understated, and context-aware buildings, approached the coffee pot not as a gadget, but as a miniature edifice. The result, the Alessi Moka, is a masterclass in subtle evolution. It retains the soul of the original while applying modern geometric and thermodynamic principles to solve its inherent flaws.
This article deconstructs the Alessi Moka through the lens of architecture and physics. We will explore why Chipperfield chose an eleven-sided polygon over the traditional eight, how the flat lid functions as a thermodynamic platform, and why this object represents the perfect synthesis of form and function.

The Geometry of Heat: Why Eleven Sides?
The most striking visual deviation from the classic Moka is the number of sides. The Bialetti is an octagon (8 sides). The Alessi Moka is a hendecagon (11 sides). This choice is not arbitrary; it is a calculation of thermal dynamics and structural integrity.
Increasing the Surface Area
In thermodynamics, heat transfer is a function of surface area. By increasing the number of facets from 8 to 11, Chipperfield subtly increases the surface area of the boiler without expanding the pot’s footprint. * Thermal Diffusion: On a gas stove, the flame creates a concentrated heat source. The faceted design helps to break up this heat, diffusing it more evenly around the circumference of the boiler. * Internal Turbulence: Inside the boiler, these facets create a more complex internal surface. As water boils, the bubbles nucleate on the imperfections and angles of the metal. The increased faceting promotes a more uniform boiling action, reducing the violent “spurting” often associated with older pots. This leads to a smoother, more consistent pressure build-up and, consequently, a more stable extraction.
The Structural Rationality
From an architectural perspective, the 11-sided form is closer to a circle than the 8-sided form, yet it retains the structural rigidity of a polygon. Cast aluminum is soft; the facets act as ribs, strengthening the walls against the internal pressure (approx. 1.5 bar). This design allows for thinner walls (lighter weight) without sacrificing safety, optimizing the material usage—a core tenet of sustainable architecture.
The Flat Lid: A Platform for Thermodynamics
One of the most innovative features of the Alessi Moka is its lid. Traditional Moka pots have domed or pointed lids with a small knob. Chipperfield’s lid is perfectly flat.
The Cup Warming Function
This flatness is a functional invitation. It turns the top of the pot into a warming plate. As the water in the boiler heats up, thermal energy travels up the aluminum body. Aluminum is an exceptional thermal conductor ($k \approx 237 W/m\cdot K$). * Thermal Shock Prevention: Pouring hot espresso ($~90^\circ C$) into a cold ceramic cup causes immediate heat loss, killing the delicate aromatics and crema. By placing your espresso cup upside down on the flat lid during the brewing cycle, the rising heat pre-warms the ceramic. * Passive Energy Use: This utilizes waste heat that would otherwise dissipate into the air. It is a passive, energy-efficient solution that improves the quality of the drink without adding complex electronics or heating elements.
The One-Handed Lift
The position of the knob on the lid has also been shifted. Instead of being in the center, it is offset towards the handle. This allows the user to lift the lid with the thumb of the holding hand—a simple ergonomic improvement that makes checking the brew progress effortless and one-handed.

The Physics of the Handle: Thermal Breaks
A persistent failure point in traditional Moka pots is the handle. Often placed too close to the body or made of cheap plastic, they melt or become too hot to hold. Chipperfield addresses this with geometry and material science.
The Grey Polyamide (PA)
The handle is made from Grey Polyamide (PA), a high-performance polymer known for its thermal resistance and durability. Unlike Bakelite, which is brittle, PA is tough. * Geometric Separation: Crucially, the handle is positioned further away from the pot’s body than in traditional designs. This creates a larger air gap, acting as a thermal break. * Convective Cooling: The air gap allows airflow to circulate between the hot aluminum body and the handle, carrying away radiant heat. This ensures the handle remains cool to the touch even when the pot is at boiling point.
The Sociology of the Moka: Design as Ritual
Why do we still use Moka pots in an age of Nespresso and high-tech espresso machines? The answer lies in sociology, not just caffeine efficiency. The Moka pot is a “slow coffee” device. It requires assembly, attention, and patience.
The Sound of the Morning
The Alessi Moka preserves the acoustic signature of the brewing process. The gurgle ($gorgoglio$) at the end of the extraction is a Pavlovian signal for millions of people. Chipperfield’s design respects this. He didn’t silence the pot; he refined the instrument. * Visual Clarity: The spout is designed to pour cleanly, cutting the stream of liquid to prevent the dreaded “last drop” stain on the tablecloth. This attention to the service aspect of the ritual elevates the experience from a kitchen chore to a dining event.
Conclusion: The Modernity of Tradition
The Alessi Moka is a testament to the power of thoughtful redesign. David Chipperfield did not try to reinvent the wheel; he tried to make it roll smoother. By applying architectural principles—geometry, thermal mass, ergonomics—he polished the rough edges of a classic.
The eleven sides are not just for show; they are for heat. The flat lid is not just for style; it is for warmth. The grey handle is not just a color choice; it is a safety feature. This is design that respects the intelligence of the user and the physics of the universe. It proves that even the most humble everyday object, when touched by a master’s hand, can become a work of art that functions beautifully.